The Journal
A teacher’s notes from the conservatory — on the instruments, the technique, and the living art of Middle Eastern percussion.
Latest
Same drum, two names — where they come from, why “traditional vs modern” matters more than “Egyptian vs Turkish,” and the upgrade mistake that quietly holds players back.
Read →
Why phrasing, not technique, is the whole work — and what I tell every student who chases hollow speed.
Read →An honest timeline from a teacher who has watched hundreds of beginners cross from first strokes to real playing.
In the worksWhy the riqq is the conductor of the Arabic ensemble — and what separates it from the tambourine in your hand.
In the works