Afterman Percussion Conservatory
A teacher’s notes from the conservatory — on the instruments, the technique, and the living art of Middle Eastern percussion.
What these notes are about
Latest
Same drum, two names — where they come from, why “traditional vs modern” matters more than “Egyptian vs Turkish,” and the upgrade mistake that quietly holds players back.
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Why phrasing, not technique, is the whole work — and what I tell every student who chases hollow speed.
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